My journey — learner for life

Three practices, one throughline

Each strand of my work feeds the others. Here's where I've been and what I'm building now, across the classroom, the dance floor, and leadership coursework.

Educator profile

In the classroom

Educator · Arts Researcher · Learning & Curriculum Designer

I am an arts educator, researcher, curriculum designer, and education leader working at the intersection of the arts and learning. With a background in engineering, over a decade of training in Bharatanatyam, and a Master's in Dance Research from the University of Chichester, my journey reflects a deep belief in the power of interdisciplinary learning to shape how young people think, create, communicate, and engage with the world.

As a Teaching & Learning Lead for Arts, I work across Music, Theatre, Dance, and Visual Arts — supporting educators, shaping curriculum, designing learning experiences, and contributing to the development of arts education within a K–12 context.

Niharika in a dance pose

My work extends beyond individual classrooms into teacher development, curriculum architecture, assessment, interdisciplinary learning, and school-wide approaches to teaching and learning.

My practice is grounded in the belief that the arts are not simply disciplines to be taught, but powerful ways of knowing. Through movement, music, performance, visual thinking, storytelling, and creative inquiry, I explore how learners can develop not only knowledge and skills, but also curiosity, agency, empathy, imagination, critical thinking, and the confidence to navigate complexity.

My research and writing focus on arts pedagogy, the lived realities of educators, interdisciplinary learning, and the evolving role of the arts in contemporary schools. My published work includes research on the journey of a dance educator within a K–12 space in India.

I am particularly interested in questions that sit at the heart of education today: What should young people be prepared for when the world around them is changing faster than curricula can respond? How can schools design learning that is meaningful beyond examinations? What does it mean to develop the whole learner? And how can educators move from delivering curriculum to designing conditions in which learning can flourish?

Across my work in schools, research, teacher development, curriculum design, and the arts, I am committed to building learning environments that are rigorous yet humane, structured yet exploratory, and rooted in both context and possibility.

My larger vision is simple: to help reimagine education through the arts — one that prepares young people not merely to succeed within the world as it exists, but to participate thoughtfully in shaping the world that comes next.

Naatya Mandalam

On the dance floor

Vision: to advance an integrated approach to education, the arts, and well-being — fostering learning environments that value creativity, empathy, and reflective practice as foundations for human growth and collective progress.

Naatya Mandalam is an arts education and research initiative rooted in the belief that the arts are not simply forms of expression, but powerful ways of thinking, learning, connecting, and making sense of the world. It includes a growing lesson library and the Movement and Me practice.

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Naatya Mandalam group dance performance

Born from a deep engagement with Bharatanatyam and an evolving practice in arts education, Naatya Mandalam brings together arts practice, pedagogy, research, teacher development, curriculum design, and community engagement. At its heart is a simple question:

What becomes possible when we place the arts at the centre of how we learn?

Naatya Mandalam explores this question across different contexts — from classrooms and teacher training spaces to performance, research, and community-based learning. Its work seeks to create meaningful bridges between traditional artistic knowledge and contemporary educational practice, while recognising that the arts have the capacity to develop much more than artistic technique.

Through its work, Naatya Mandalam engages with movement, music, rhythm, storytelling, embodiment, creativity, reflection, and collaboration as pathways to developing confident, curious, empathetic, and thoughtful learners. The initiative works across three interconnected areas:

Practice

Creating and facilitating meaningful experiences in the arts, with a particular grounding in Indian classical dance and embodied learning.

Pedagogy

Designing curriculum, learning experiences, and teacher development programmes that use the arts as both a discipline and a way of knowing.

Research & community

Exploring questions around arts education, culture, learning, wellbeing, and access, while creating opportunities for artistic and educational engagement beyond traditional classroom boundaries.

Naatya Mandalam is also committed to making the knowledge embedded within artistic traditions more accessible to contemporary learners and educators. Rather than treating tradition and innovation as opposites, it seeks to create a dialogue between the two — honouring what has been inherited while asking what it can become.

Ultimately, it is a space for learning through the arts, thinking through the arts, and imagining through the arts — an ongoing exploration of what happens when artistic practice and educational practice are allowed to inform, challenge, and transform one another.

Leadership courses

In the courses

EFL Journey

Know Yourself · Coaching & Mentoring · Problem Solving · Action Research · Reflections.

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Certificate Programme for Leadership

Understanding Self · Building Teams & Coaching · Organisational Structures & Processes.

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ML Programme

[Brief description of the ML Programme coursework.]

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